Publishing News | Oxford Publishing & Digital Media
The Association for Publishing Education (APE), Dissertation and Project Awards 2020 accepted admissions from all the universities that teach publishing in the UK. The winners were announced this April.
We congratulate Marie-Louise Patton (MA Publishing Media) for winning the award for the best project: titled A study of how Instagram enables independent magazines to reach niche markets as demonstrated by a new travel magazine concept, Bug.
In 2018 publishing students from Oxford Brookes, both postgraduate and undergraduate, won three out of the four available prizes, repeating the success in 2017 when three out of the four awards went to students from Oxford Brookes.
Here is a picture of colleagues in a team meeting this week via Zoom. Our office closed on Tuesday morning (24 March 2020) and we are all working remotely. Although we have had to suspend our programme of events, we are actively working on the remaining classes for this year, which have moved online. We send our good wishes to our network of alumni and friends around the world, and do get in touch if you are interested in studying with us next year – whether on campus or through distance learning.
We send our solidarity and best wishes to everyone around the world in these difficult times.
Recently, a number of classes and seminars on the MAs and BAs in Publishing at the Oxford International Centre for Publishing Studies have been concentrating on aspects of censorhip.
Students in the MA module Publishing and Language Issues presented work on the issues surrounding the publication of Sherry Jones's The Jewel of the Medina, while students in the MA and BA modules on the History and Culture of Publishing heard Steve Hare, collector of Penguin Books, talk about Penguin's involvement in the Lady Chatterley's Lover trial in 1960.
Students from the Oxford International Centre for Publishing Studies recently visited Bloomsbury plc at the invitation of Industry Advisory Board member and Deputy Managing Director of A & C Black, Jonathan Glasspool.
Becky Cook, a student on the MA in Publishing, reports on the day:
'To say that Bloomsbury is a well know publishing house is an understatement. For years they have been successful in trade fiction and non-fiction and have produced some of the best selling books in recent years. With the success of the Harry Potter series, Bloomsbury has become almost legendary, so when the trip to their offices in Soho Square was announced I jumped at the chance to visit.
Claire Squires, Senior Lecturer in Publishing at the Oxford International Centre for Publishing Studies, recently visited the Ljubljana Book Fair in Slovenia.
She was invited to deliver a lecture entitled 'Stories of Success: Marketing British Fiction', based on her book Marketing Literature: The Making of Contemporary Writing in Britain at the Book Fair. Fellow speakers in the Fair's programme of talks included Jason Epstein, author of Book Business: Publishing Past Present and Future, and Michel Bruillon of the Pôle Métiers du Livre at the Université Paris X-Nanterre.
Claire Squires, Senior Lecturer in Publishing at Oxford Brookes University, recently wrote an article for the Financial Times on the cover design of Arthur Ransome's Swallows and Amazons.
Writing for a series in the FT called 'How to Judge a Book by its Cover', Squires explains how the design pictured here did not appear until 1938 (8 years after initial publication of the book). Ransome only started illustrating his own work with the third in the Swallows and Amazons series, Peter Duck, as a textual joke: the pictures were supposed to have been drawn by the children in the book.
The environment is a big issue in contemporary publishing. Recently, OPUS (the Oxford Publishing Society) hosted an event at Oxford Brookes University to discuss the issues. Marie Hanson, an MA in Publishing student at the Oxford International Centre for Publishing Studies at Oxford Brookes University, reports from the event:
'Edward Milford, Chairman of Earthscan, opened his speech ‘Greening our Publishing' with the provocative question "Is it possible?" He raised key issues such as the sustainability of the ‘green' process, and identified it as an industry-wide problem, which cannot be solved by individual companies working in isolation. With that in mind he outlined his own company's Environmental Policy, stating that in order for it to be a success it must have a substantial effect on the production process; if the policy allows you to continue ‘business as usual', it's not likely to produce the most impressive results.
The annual Frankfurt Book Fair is the biggest book fair in the world. This year, part-time MA in Publishing student Jonathan Davis from the Oxford International Centre for Publishing Studies was invited to work on the Independent Publishers Guild (IPG) stand during the Fair.
'They came, they saw, they bartered and then they left. Outlasting the Frankfurt Book Fair before it outlasts you presents a unique opportunity to view the actions and behaviours of a rare breed of animal which come into full display every year at this time: the Frankfurt Book Fair buying public. If David Attenborough were to shoot a documentary on these creatures great and small this is where he would begin.
'I had the repeat pleasure of assisting my London Book Fair friends, the Independent Publishers Guild (IPG), with their activities in Germany this year and got a taste of what it's like to be on the other side of the exhibitors' stand. Attending the fair for the first time last year with the Oxford Brookes MA in Publishing programme and seeing the business between publishers happen in the flesh - I felt a repeat experience was needed as the sheer size of the event was slightly overwhelming. The IPG provided me with an accessible way this year to get my hands dirty for the last two days of the fair when the general public are allowed access to over 7,000 publishers and the tens of thousands of books available. All to be bought, bargained for and carried home by any means necessary.
Students from the MA in Publishing at the Oxford International Centre for Publishing Studies have helped in the publication of Richard Charkin's blog in book form. Chark Blog was written while Richard Charkin was CEO of Macmillan, and ended in September 2007 when he left to lead Bloomsbury. But digital has turned to print (on demand), and the book was launched in September 2008. A team of students (Mary Berry, Nayumi Furuta, Rhianna Jones, Holly Vitow, Amy Wigelsworth and Shell Xu) indexed the book, and Caitlyn Miller, who led the indexing team, also worked with Macmillan to prepare the book for publication.
Students and staff from the Oxford International Centre for Publishing Studies recently visited the Bologna Children’s Book Fair. Helen Swain, a student on the European Master in Publishing, reports:
Bologna welcomed Claire Squires, Caroline Hamilton and a number of Oxford Brookes students for the Children’s Book Fair 2008 on April 1 and 2. The beautiful, sun-drenched city itself caused immediate general infatuation of the eyes and taste buds, and initial impressions of the Book Fair were that it was smaller and more compact than its counterpart in Frankfurt. The Fair featured a significant graphic presence, with an impressive exhibition of illustrators’ drawings from all over the world and several interviews in the Illustrators’ Cafe. Another interesting aspect of the fair was the series of lectures and interviews on the subject of translation.