Publishing News | Publishing
Angus Phillips, Director of the Oxford International Centre for Publishing Studies at Oxford Brookes, spoke last weekend at the London Design Festival. He was on a panel which examined the question, ‘What is to become of books?’ He argued that we have now gone past the discussion about the death of the book – readers are actively reading books on screen. We should now be looking at the possibilities for innovation, either in digital form or in print. He talked of the new terminology in publishing, from pbooks to ebooks, from vanilla ebooks to born digital projects.
In partnership with Peking University, the Oxford International Centre for Publishing Studies (OICPS) recently held a forum on the copyright trade between the UK and China. Held on the 29 August at Peking University in Beijing, the forum brought together a range of speakers and participants from both industry and academia.
From OICPS Angus Phillips and Adrian Bullock both gave presentations. Adrian Bullock presented the results of his recent research into the copyright trade, and showed that the trade gap is narrowing with more Chinese titles being sold into the UK. In 2003-04 the ratio of Chinese imports of copyrights to exports was 15:1; In 2010 it was nearer to 5:1. Overall UK publishers are still disappointed by the size of the Chinese market, in terms of the often modest print runs and low local prices. Although STM, ELT, and children’s publishing are all doing well, China is still outside the top twenty markets for British publishers, and accounts for less than 2 per cent of export revenues.
Amongst the speakers at the forum were Professor Xiao Dongfa from Peking University, Nie Zhen Ning, President of China Publishing Group, and Jackie Huang, a Brookes alumna now working for the Andrew Nurnberg agency in Beijing. The next forum will be held in Oxford in April 2012
Filed Under Events | Publishing | Oxford Centre for Publishing Consultancy and Research
Each year the publishing programme at Oxford Brookes holds a summer school in Florence, a co-operative event with our European partners in France, Germany and Slovenia. MA student Teresa Ballesteros writes about this year’s Finaly seminar on digital publishing.
Logos, one of the premier publishing journals and now 21 years old, is a forum for opinion and the latest research from the international world of publishing. Published by the Dutch publisher Brill, it provides a platform for communication between publishing professionals, librarians, authors, scholars, and those in allied professions. From this Spring the new editor is Angus Phillips, Director of the Oxford International Centre for Publishing Studies at Oxford Brookes University. The journal has also been relaunched with a new design using the Brill typeface.
Kay Peddle wins 2011 Kim Scott Walwyn Prize
Kay Peddle, the woman behind Bodley Head’s innovative Brain Shots audiobooks, was last week named the winner of the Kim Scott Walwyn Prize 2011. The accolade, which recognises the professional achievements of women in publishing, was announced by Prize Committee member Kate Jury at a ceremony at the Free Word Centre in Farringdon. Helen Fraser, former Managing Director of Penguin UK, delivered the keynote speech on women and success.
Born and raised in South Africa, Kay Peddle came to Britain in 2006 and studied for an MA in International Publishing at Oxford Brookes University. She graduated with Distinction and started her publishing career as a Marketing Assistant at Random House. In 2008, she moved into editorial and, as Assistant Editor at Vintage, conceived and produced the Bodley Head Brain Shots, which launched to great acclaim in 2009. The success of this industry-first series shows her ability to explore new formats and to respond to the fast-changing market with great agility and flair.
Kay Peddle said, on winning:
'Kim Scott Walwyn's life and memory is such an inspiration and it is a true honour to receive this prize. Meeting Kim's family, friends and colleagues, as well as the award winners from previous years, was so special and moving. In keeping with the spirit of the award, I would like this prize money and the training course to go to a young woman looking to get into publishing but who would not otherwise be able to undertake a work experience placement in London. I hope Kim would approve.'
Kate Jury, Chair of the prize-awarding committee, commented:
'The committee's warmest congratulations go to Kay Peddle on winning the first of the new Kim Scott Walwyn prizes, sponsored by the Society of Young Publishers and the Publishing Training Centre. The judging committee were very impressed by both Kay's achievements, and by her clear-sighted analysis of how she could use her skills and experience to reach out to new and different audiences. We hope her achievements will inspire women from all areas of publishing to apply for the Kim Scott Walwyn Prize next year.'
Viv Bird, CEO of Booktrust, added:
'Booktrust is proud to manage a Prize that celebrates exceptional women publishers and helps them to continue developing their careers. We are delighted that Kay Peddle has won this year’s Prize, and applaud her dedication to books, authors and readers alike.
Kay’s past achievements are impressive, particularly the innovative Bodley Head Brain Shots, as is her awareness of the role publishers play in bringing books and people together; we hope winning this Prize will spur her on to further success.'
Kay Peddle receives a cheque for £1000 sponsored by the SYP, as well as a one-day course of her choice, courtesy of the Publishing Training Centre (PTC) in Wandsworth.
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Brianna Corbett who completed her MA Publishing at the Oxford International Centre for Publishing Studies in 2010, has written a thrilling account of the day that she gave away 48 copies of One Day, by by David Nicholls.
One million books were given away during World Book Night.
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The Oxford International Centre for Publishing Studies was widely represented at the 2011 London Book Fair. Our students assisted the LBF with organizing seminars during the fair itself, and we also ran three extremely well-attended seminars on a wide variety of topics chaired by academics from the Centre, including one on social media – The Tweet Smell of Success? Over 150 people were turned away from the event, unable to get in the room. The seminars are available as part of our podcast series.
The Random House Group and Oxford Brookes University are to launch a publishing scholarship aimed at individuals from groups under-represented within the publishing industry.
Starting in September 2011 Random House will be offering a £2,000 bursary to a full or part-time MA student of Publishing, International Publishing, Publishing and Language, or Digital Publishing at the Oxford International Centre for Publishing Studies. The student will also receive a paid work placement for four weeks within The Random House Group.
The Random House Bursary, open to students from the UK and EU, will be awarded on the basis a proven interest in a UK-based career in book publishing and a written submission on what the MA will contribute to the student’s learning and career development. Priority will be given to individuals who are from a background that is underrepresented in the publishing industry or for whom accessing a career in the publishing industry is a challenge. Applications should be made by the middle of June and full details of how to apply will be posted on the Random House and Oxford Brookes websites.
Neil Morrison, HR Director for The Random House Group, said: ‘Random House is committed to improving diversity within the publishing industry and believes that this scholarship will provide much needed support for individuals who struggle to access a career in publishing. We are pleased to be working with the renowned Oxford International Centre for Publishing Studies in this venture and look forward to meeting the successful student.’
Angus Phillips, Director of the Oxford International Centre for Publishing Studies, said: ‘We are delighted to be working with Random House to facilitate access to our MA programmes and a career in publishing. Random House is to be congratulated on what is a really worthwhile initiative. The funding on offer will make a real difference to a student.’
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The Oxford International Centre for Publishing Studies hosted a well-attended event at the Oxford Literary Festival on Sunday 3 April. Chaired by Angus Phillips, the topic was the future of book publishing in the light of the growing popularity of ebooks and apps. In a lively debate, the panel discussed the exciting possibilities of digital publishing, moving beyond the plain text to more interactive products. The speakers were Marcus du Sautoy, Charles Simonyi Professor for the Public Understanding of Science at Oxford University and author of The Number Mysteries; Felicity Bryan, the Oxford-based literary agent of authors such as Edmund de Waal and Karen Armstrong; and Cathy Galvin, Deputy Editor of The Sunday Times Magazine.
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MA Publishing student Catherine Watts writes below of her experience at the Working in Publishing Day 2011 at the Oxford International Centre for Publishing Studies.
‘It was here – the day had arrived. We’d been told to put it in our diaries on the very first induction afternoon way back in September. Now it was Tuesday, March 8th. Or, to call it by its official title, it was Working in Publishing Day.
I was nervous. More than 40 publishing staff were descending on the Buckley building, representing over 30 companies, from small not-for-profit independents to multi-national corporations. There were different strategies of approach among the students. Some had only signed up to see a few publishers, the ones they would be most interested in working for. I, on the other hand, being terminally indecisive, had filled all ten of the 15-minute slots on offer with a range of different types of publisher. I was in for a fast-paced afternoon of speed-dating style networking.
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