Students from the MAs in Publishing in the Oxford International Centre for Publishing Studies recently visited Oxford University Press's Museum.
Marina Debattista, MA student, reports on the visit:
'The Oxford University Press Museum - consisting of a large, circular hall - creates the illusion that its history is also circular. The online version of the Oxford English Dictionary - the last item in the museum, placed close to the exit - coincides, at least symbolically, with the very first one, the book published in 1478. The opposites meet here, only to remind us that the electronic medium is not necessarily the negation of the printed medium.
A one-day interdisciplinary conference took place at Brookes on 19 September 2008 entitled "Cultivating Britons: Culture and Identity in Britain, 1901-1936". The event was organised jointly by Alexandra Wilson (Music) and two historian colleagues: Alex Windscheffel (RHUL) and Ruth Clayton Windscheffel (Oxford). The aim of the conference was to examine ruptures and continuities in the social and cultural life of Britain in the first three and a half decades of the twentieth century and to explore the extent to which attempts to "cultivate Britons" (often regarded as a distinctively Victorian endeavour) continued into and metamorphosed during the early twentieth century. 33 delegates attended the conference and the range of disciplines represented included History, English Literature, Music, Theology, Art History and Publishing. The twelve papers presented covered topics as diverse as First World War propaganda; the interwar Dictionary of National Biography; gender and the politics of respectability; blackface minstrelsy in the British police; and Jewish youth work. The conference organisers hope to arrange future "Cultivating Britons" events.
Voksenasen, in the hills above Oslo, hosted the sixth and final workshop in the NaMu series on 17 - 19 November. Sally Hughes presented a short paper on museum guide books using material from her AHRC funded research in museum publishing. NaMu I is funded by the Marie Curie Foundation and the European Union under the Sixth Framework.
Launched in the autumn of 2008, Digs is a magazine about student life in Oxford which is freely distributed to students at Oxford Brookes and Oxford Universities. The magazine started out as coursework for a first-year undergraduate project at Oxford Brookes, in the module Introduction to Magazine Publishing.
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Three hundred guests from book publishers and manufacturers gathered in London's Marriott Hotel, Grosvenor Square on Wednesday 12 November for the 2008 British Book Design and Production Awards. The Awards were introduced by BPIF President Mike Taylor and presented by writer, broadcaster and former MP Gyles Brandreth. The annual awards are organized by the British Printing Industries Federation, Oxford Brookes University and the Publishers Association.
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Students from the MA Publishing courses at Oxford Brookes University visited the Frankfurt Book Fair in October 2008. At the Fair they had meetings with a range of publishers large and small, including A&C Black, Attwooll Associates, Camelot Editions, Casemate, Continuum, Dorling Kindersley, Infinite Ideas, Myriad Editions, New Internationalist, Orion, Patmos Verlag, Pearson Education, Playbac, Random House, and Wiley.
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Students from the MAs in Publishing at the Oxford International Centre for Publishing Studies at Oxford Brookes University recently visited the Bodleian Library, where they learned about the theory and practice of hand-press printing.
Guided by Paul Nash (who is also a PhD student at the Oxford International Centre for Publishing Studies), students found out more about the development of printing in the 15th century, and then had the opportunity to set their own type and print a keepsake. MA student Marina Debattista writes about the experience:
Claire Squires, Senior Lecturer in Publishing at Oxford Brookes University, recently wrote an article for the Financial Times on the cover design of Arthur Ransome's Swallows and Amazons.
Writing for a series in the FT called 'How to Judge a Book by its Cover', Squires explains how the design pictured here did not appear until 1938 (8 years after initial publication of the book). Ransome only started illustrating his own work with the third in the Swallows and Amazons series, Peter Duck, as a textual joke: the pictures were supposed to have been drawn by the children in the book.
Alexandra Wilson (Music) has been awarded the prestigious Lewis Lockwood Award by the American Musicological Society for her monograph The Puccini Problem: Opera, Nationalism, and Modernity (Cambridge University Press, 2007). This award honours a musicological book of exceptional merit by a scholar in the early stages of his or her career (defined as being within ten years of completion of the PhD). This is the first time that the prize has been awarded to a scholar from outside North America. Dr Wilson received her award on November 8 2008 at the 74th Annual Meeting of the American Musicological Society, held in Nashville, Tennessee. She also presented a paper at the conference on the subject of ‘Puccini the modernist’.
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The environment is a big issue in contemporary publishing. Recently, OPUS (the Oxford Publishing Society) hosted an event at Oxford Brookes University to discuss the issues. Marie Hanson, an MA in Publishing student at the Oxford International Centre for Publishing Studies at Oxford Brookes University, reports from the event:
'Edward Milford, Chairman of Earthscan, opened his speech ‘Greening our Publishing' with the provocative question "Is it possible?" He raised key issues such as the sustainability of the ‘green' process, and identified it as an industry-wide problem, which cannot be solved by individual companies working in isolation. With that in mind he outlined his own company's Environmental Policy, stating that in order for it to be a success it must have a substantial effect on the production process; if the policy allows you to continue ‘business as usual', it's not likely to produce the most impressive results.