Historian wins Large Research Grant from the AHRC’s Landscape and Environment Programme
The School of Arts and Humanities is delighted to announce that Dr Andrew Spicer, Senior Lecturer in Early Modern European History, has been made an award of £453,149 (exclusive of provision for one doctoral studentship) for his project on The Early Modern Parish Church and the Religious Landscape. His co-investigators include Dr Louise Durning (Oxford Brookes University) and Dr Margit Thøfner (University of East Anglia).
This interdisciplinary project will run for three years from June 2007, and will investigate five key themes and objectives:
- The religious landscape and the place of the parish church within it during the early modern period.
- The relationship between the parish church and the wider landscape.
- The parish church and the changing landscape.
- The permanence of the parish church and the evolution of the landscape.
- The relationship between parochial centres of worship and the wider confessional landscape.
This project will examine the role of the parish church within the wider landscape, which itself was full of other focal points of the holy, such as wells, shrines, crosses and pilgrimage sites. Recent studies have concentrated on the sacred landscape but have not attempted to locate and identify the parish church within this, even though it was the principal ritual centre within each community. What was the relationship between the parish church and these other sites within the sacred landscape, which technically fell within the parochial jurisdiction of these churches? The project will provide a comparative study by considering the parish church not only in England but also in Denmark, France and the Low Countries, thereby reflecting the confessional diversity of early modern Europe. Furthermore the parish church can be explored from a number of perspectives in order to gain a greater understanding of its place and the way in which it was defined by ritual and liturgy, as well as socially, legally, artistically and culturally as a distinct and holy site. By drawing on the disciplines of History and History of Art, the intention is to employ archival sources as well as visual and physical evidence for this analysis.
By embracing the early modern period this project also considers the way in which the sacred landscape was challenged, altered and reconfigured as a result of the radical changes that came about through the Reformation. Luther and Calvin both denied that it was more efficacious to worship in one place rather than another, rejecting the concept of sacred space but their followers nonetheless applied norms of behaviour and ritual to these places which required deference and reverence. Rituals of consecration which had been rejected by the Protestant Churches began to re-emerge during the course of the seventeenth century, suggesting that the notion of a landscape divided between the sacred and the temporal still existed in the minds of many ordinary people as well as churchmen. For Catholics, in the wake of the devastation and desecration of the religious wars, it was important for the churches not only to be reconciled but for their intrinsic holiness to be reasserted. Furthermore the rituals, furnishings and very presence of these churches in the wider landscape could serve as a focal point for religious violence.
It was not only religious conflict that affected the parish church: the religious landscape evolved during the early modern period as the development and exploitation of the environment - agriculture change, drainage and land reclamation, proto-industrialisation as well as mining and quarrying - left their mark. The impact that this had on the religious landscape, such as through the establishment of new sites for worship within this evolving landscape have not been considered.This project will therefore assess the parish church within the landscape against the background of not only religious upheaval but also profound economic and environmental change during the early modern period.
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